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Howl's Moving Castle |  | Director: Hayao Miyazaki
Actors: Chieko Baisho, Takuya Kimura, Tatsuya Gashûin, Akihiro Miwa, Ryûnosuke Kamiki
Studio: Walt Disney Home Entertainment
Category: DVD
List Price: $29.99
Buy Used: $9.98
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Rating:  reviews
Sales Rank: 409
Format: Animated, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
Languages: English (Unknown), English (Subtitled), English (Original Language), French (Original Language), Japanese (Original Language), French (Dubbed), Japanese (Dubbed)
Rating: PG (Parental Guidance Suggested)
Region: 1
Discs: 2
Aspect Ratio: 1.85:1
Running Time: 119 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: DISD41399D
UPC: 786936296662
EAN: 0786936296662
ASIN: B000CDGVOE
Theatrical Release Date: 2004
Release Date: March 7, 2006
Availability: Usually ships in 1-2 business days
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| Features:
| • | 2-disc special edition features both the original Japanese soundtrack and an English language soundtrack | | • | Behind the Microphone featurette with the English language voice cast and footage from the dubbing sessions | | • | Interview with Pixar Animation Studios Director, Pete Docter | | • | Hayao Miyazaki Visits Pixar Animation Studios with Pixar director John Lasseter | | • | Complete storyboards set to the movie soundtrack |
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| Editorial Reviews:
Product Description
Acclaimed Japanese director Hayao Miyazaki adapts British writer Diana Wynne Jones's popular fantasy tale for this animated feature, adding his own unique and celebrated dreamlike spin. A young hat-maker named Sophie (voiced by Emily Mortimer) is turned into an old woman by the dreaded Witch of the Waste (Lauren Bacall) when she attracts the notice of Howl (Christian Bale), a young wizard whom the witch desires for herself. As the old woman, (voiced by Jean Simmons), Sophie finds refuge as a cleaning lady in Howl's magical castle, an impressively realized mishmash of anthropomorphic shafts and gears, where she meets, among other wonders, a cantankerous fire demon named Calcifer (Billy Crystal). Howl's courage inspires her to seek a cure for her curse, and vice versa, and the two work together to prevent a major war as the castle roams the countryside on its mechanical legs. There's lots of magic afoot as well, including travel through barriers of space and time, and shape-shifting, requiring full viewer attention to keep track of who, where, and when, but this how dreams really are and the film engages on that same subconscious level. As with Miyazaki's previous work (SPIRITED AWAY, KIKI'S DELIVERY SERVICE), the emphasis here is on creating a beautiful alternate reality, where anything can happen, and every frame is a breathtaking work of art. See it on the big screen if the chance presents itself; the elaborate intricacies and patiently realized alternate realities of Miyazaki's work makes him a true treasure.
Amazon.com
Like a dream, Howl's Moving Castle carries audiences to vistas beyond their imaginations where they experience excitement, adventure, terror, humor, and romance. With domestic box office receipts of over $210 million, Howl passed Miyazaki's Princess Mononoke to become the #3 film in Japanese history, behind his Spirited Away and James Cameron's Titanic. Based on a juvenile novel by Diana Wynne Jones, Howl's Moving Castle marks the first time Miyazaki has adapted another writer's work since Kiki's Delivery Service (1989). Sophie, a 19-year-old girl who believes she is plain, has resigned herself to a drab life in her family's hat shop--until the Witch of the Waste transforms her into a 90-year-old woman. In her aged guise, Sophie searches for a way to break the Witch's spell and finds unexpected adventures. Like Chihiro, the heroine of Spirited Away, Sophie discovers her hidden potential in a magical environment--the castle of the title. Using CG, Miyazaki creates a ramshackle structure that looks like it might disintegrate at any moment. Sophie's honesty and determination win her some valuable new friends: Markl, Howl's young apprentice; a jaunty scarecrow; Calcifer, a temperamental fire demon; and Heen, a hilarious, wheezing dog. She wins the heart of the dashing, irresponsible wizard Howl, and brings an end an unnecessary and destructive war. The film overflows with eclipsing visuals that range from frightening aerial battles to serene landscapes, and few recent features--animated or live action--offer as much magic as Howl's Moving Castle. --Charles Solomon The Many Worlds of Hayao Miyazaki 
The works of Miyazaki | 
The Book | 
The Art of Howls' Moving Castle (book) | Stills from Howl's Moving Castle (click for larger image)
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| Customer Reviews:
 Another magnificent film fantasy from Hayao Miyazaki June 19, 2005
Robert Moore (Chicago, IL USA)
18 out of 19 found this review helpful
Well before HOWL'S MOVING CASTLE, Hayao Miyazaki had established himself as the finest creator of feature length animated films in the history of cinema. So pointing out that this marvelous film isn't quite as good as his very best work really isn't very illuminative. He has done at least three or four films that are better, but that cannot be said of any other animator. This film suffers only by comparison with his own work, not with that of anyone else.
A number of Miyazaki's films have been set in non-Japanese settings, so this one's being imagined in a vaguely European locale really isn't terribly unique. In every other way, this is an exceedingly typical Miyazaki creation. There is, for instance, the preoccupation with flying, fields of non-identical flowers that wave in the breeze (each drawn separately by hand and not computer), richly detailed landscapes, and eccentrically designed rooms. There is hardly a moment in this film that isn't a delight to gaze upon.
In two ways this film stands comparison with anything that Miyazaki has done. First, he has created a host of astonishingly vivid and convincing characters. What is marvelous about them is that none of them are simple, but are wonderfully complex and often deeply flawed. Howl of the title is a powerful sorcerer, horrified by the absurd war being waged in the land, but in danger himself of turning into a giant bird of prey. He is struggling with sanity, infected by the insanity that he sees throughout the world. The central character, Sofia, begins the movie a young, simple girl who embroiders hats in a hat shop, but who is turned into an extremely old woman by a witch's spell. Through the rest of the film the spell waxes and wanes, sometimes maintaining completely the illusion of her being ancient, but sometimes in sleep restoring her completely to her youth. At times she appears a blend of old crone and young girl. There is also a extraordinarily well-conceived scarecrow that lays claim to be the finest such creation since THE WIZARD OF OZ. There is even an animal, a dog that is the utter antithesis of all the too cute, too loud sidekicks that populate the Disney films. Almost immobile, unexpressive, he can't even quite bark, but can only manage a bit of a wheeze.
The second way the film stands out is visually. With one exception, every aspect of this film is magical and unique. For instance, the scarecrow is fascinating to watch at every moment, despite the fact that except for being able to hop about on its post as if it were mounted on a pogo stick, it is incapable of facial expressions or moving either arms or hands or legs. As usual in Miyazaki, every aspect of nature is vibrant and alive, but even more than in previous films his interiors are stunning. Each room is filled with bric-a-brac and personal items that make them feel actual and lived-in unprecedented in animation.
So why does HOWL'S MOVING CASTLE fall short of Miyazaki's very best work, even while it surpasses the work of most others? There are two reasons. First, Calcifer the Fire Demon, at least in the English version (I have not seen the Japanese original), is both uninventively drawn and poorly voiced by Billy Crystal. The drawing I dislike because in contrast with everything else in the movie, Calcifer is drawn as an orange blob with eyes and mouth, a hunk of poorly differentiated color in contrast with everything else onscreen, which is carefully nuanced and hued. It is one of the least imaginatively executed characters in all of Miyazaki. I love Billy Crystal, and have thoroughly enjoyed his work way back in the days of SOAP to the present, but he just wasn't appropriate for this film. His loud, somewhat brash New York accent simply didn't mesh with all of the others. The second major problem I had the film was the last quarter of the story. At a certain point the story lost both its coherence and its pacing, and failed to maintain pace with the earlier parts of the movie. The movie did not fall apart, but neither did it remain equally marvelous throughout.
One other element in the film was both a delight and a mild disappointment: the Castle itself. Visually, this is one of the most amazing things one will see in an animated film, and the magical door that allows one to exit in any of four places suited it perfect. The only problem is that we don't get to see much of the interior. Virtually the entire action is kept inside one room in which all seem to eat and sleep. I wanted Sophie to explore!
These minor points aside, I enjoyed this film very nearly as much as I have any of Miyazaki's other films. If you are a Miyazaki fan, it is highly unlikely that you will have any reaction other than sheer delight, and if have not seen Miyazaki before and love this one, you will be delighted to learn that he has done even better.
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